Salmi festivi intieri, coristi, allegri, et moderni, Op. 33 (Venice: Ricciardo Amadino), a collection of psalms for four voices
Third book of nuovi pensieri ecclesiastici, Op. 35 (Bologna: Giovanni Rossi), a Vespers collection for one and two voices, harpsichord, theorbo, archlute, and organ
Duo in contrapunto sopra ut, re, mi, fa, sol, la, utile a gli figliuoli, & principianti, che desiderano praticare le note cantabili, con le reali mutationi semplicemente, & con il maestro (Venice: Giacomo Vincenti), a collection of musical exercises for aspiring singers
Duo spartiti al contrapunto in corrispondenza tra gli dodeci modi & otto toni... (Venice: Giacomo Vincenti), a collection of musical exercises for instrumentalists
Canoni musicali for four voices (Venice: Giacomo Vincenti)
Lodovico Bellanda – Sacre laudi for solo voice with organ, theorbo, or similar instrument (Venice: Bartolomeo Magni)
Giulio Belli – Concerti ecclesiastici for two and three voices (Venice: Bartolomeo Magni)
Severo Bonini – Lamento d'Arianna in stile recitativo (Venice: Bartolomeo Magni for Gardano)
Antonio Brunelli – Arie, scherzi, canzonette, madrigali for one, two, and three voices, Op. 9 (Venice: Giacomo Vincenti)
Giulio Caccini – Fuggilotio musicale, Op. 2 (Venice: Giacomo Vincenti), a collection of madrigals, sonnets, arias, canzonas, and scherzi for one and two voices with archlute, harpsichord or other instrument
Manuel Cardoso – Cantica Beatae Mariae Virgins for four and five voices (Lisbon: Pedro Craesbeck)
Christoph Demantius – Fasciculus chorodiarum for five voices and instruments (Nuremberg: Balthasar Scherff for David Kauffmann), a collection of German and Polish dances
Third book of cantiones for two voices with organ bass (Venice: Bartolomeo Magni)
Fourth book of sacrae cantiones for three voices with organ bass (Venice: Bartolomeo Magni for Gardano), also includes litanies of the Blessed Virgin Mary for four voices without organ
Cantiones sacrae, octonis vocibus (Antwerp: Pierre Phalèse)
Gemmulae sacrae (Sacred Little Gems) for two and three voices with organ bass (Antwerp: Pierre Phalèse)
Francis Pilkington – The first set of madrigals and pastorals of 3. 4. and 5. parts (London: William Barley for M. Lownes, J. Browne and Thomas Snodham)