With an estimated population in 2022 of 8,335,897 distributed over 300.46 square miles (778.2 km2), the city is the most densely populated major city in the United States. New York has more than double the population of Los Angeles, the nation's second-most populous city. New York is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the U.S. by both population and urban area. With more than 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York City is one of the world's most populous megacities. The city and its metropolitan area are the premier gateway for legal immigration to the United States. As many as 800 languages are spoken in New York City, making it the most linguistically diverse city in the world. In 2021, the city was home to nearly 3.1 million residents born outside the U.S., the largest foreign-born population of any city in the world. (Full article...)
The Marquis was designed by John C. Portman Jr., who designed the Marriott Marquis and included the theater to increase the size of the hotel. The theater's main entrance and box office are at 210 West 46th Street. The box office is at ground level, and there are escalators leading from the ground floor to the auditorium. Due to a lack of space, the wings on each side of the proscenium arch are smaller than mandated by city building codes. The theater also has no freight elevator, no dedicated restroom facilities, and small hallways.
A theater was proposed on the site in 1973 as part of a hotel (later the Marriott Marquis), the completion of which was delayed until 1985. The hotel had controversially replaced several existing theaters, and the design features of the new Marquis Theatre were highly criticized, even by the hotel's supporters. The theater opened in July 1986 with concerts by Shirley Bassey, followed by the long-running Me and My Girl. The Marquis then hosted a series of short-lived productions from the 1990s through the 2010s. (Full article...)
Signature Bank was an American full-service commercial bank headquartered in New York City and with 40 private client offices in the states of New York, Connecticut, California, Nevada, and North Carolina. In addition to banking products, specialty national businesses provided services specific to industries such as commercial real estate, private equity, mortgage servicing, and venture banking; subsidiaries of the bank provided equipment financing and investment services. At the end of 2022, the bank had total assets of US$110.4 billion and deposits of $82.6 billion; as of 2021, it had loans of $65.25 billion.
Signature Bank was founded in 2001 by former executives and employees of Republic National Bank of New York after its purchase by HSBC. It focused on wealthy clients and built personal relationships with them. For most of its history, it had offices only in the New York City area. In the late 2010s, it began to expand geographically and in terms of services, though it was most noted for its 2018 decision to open itself to the cryptocurrency industry. By 2021, cryptocurrency businesses had represented 30 percent of its deposits.
Banking officials in the state of New York closed the bank on March 12, 2023, two days after the failure of Silicon Valley Bank (SVB). After SVB failed and in light of the closure of the cryptocurrency-friendly Silvergate Bank earlier in the week, nervous customers withdrew more than $10 billion in deposits. It was the third-largest bank failure in U.S. history. Two days after Signature was closed, it became known that the bank was being investigated by the United States Department of Justice concerning its failure to properly scrutinize clients' activities for signs of money laundering. At the time of its closure by state banking officials, the bank was rated as the fourth U.S. bank by uninsured banking deposits, with 89.3 percent of deposits being uninsured; internal reviews by the Federal Deposit Insurance Corporation (FDIC) and New York state regulators noted that Signature's risk control and corporate governance had not grown commensurate with an increase in deposits in the late 2010s and early 2020s. (Full article...)
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The "Harris" marquee can be seen on the far right of this 1985 photo, comprising the rightmost part of the Candler Building.
The theater was located in the rear of the Candler Building and was accessed through the building's western wings. The auditorium was decorated in the Italian Renaissance style, with seats across two levels. There were originally four boxes, a proscenium arch with ornate plasterwork, and an elaborate saucer dome on the ceiling. Albert Herter painted six murals for the theater's lobby, as well as another mural at the rear of the auditorium.
A syndicate headed by music publisher Sol Bloom acquired the theater's site in 1913. The Candler opened on May 8, 1914, with the film Antony and Cleopatra and started hosting legitimate shows during the 1914–1915 season. Cohan and Harris bought out Bloom's and Kleine's interests in the Candler in 1916 and renamed it the Cohan and Harris Theatre, hosting several successful shows in the 1910s. After Cohan and Harris's partnership dissolved in 1920, Harris continued to produce shows at the theater, renaming it after himself. Harris sold the theater in 1926 to the Shubert brothers, who struggled to produce successful shows and forfeited the theater after seven years. Max A. Cohen, head of the Cinema Circuit, acquired the Harris Theatre in 1933; the venue was used as a movie theater until 1994. The city and state governments of New York acquired the theater as part of the 42nd Street Redevelopment Project in 1990. Forest City Ratner developed an entertainment and retail complex on the site in the 1990s, demolishing the theater to make way for Madame Tussauds. (Full article...)
Hamilton acquired land for the estate from Jacob Schieffelin and Samuel Bradhurst starting in 1800, and he commissioned architect John McComb Jr. to design a country home there. The house was completed in 1802, just two years before Hamilton's death in 1804. The house remained in his family for 30 years afterward and was then sold several times, including to the Ward family, who occupied the house between 1845 and 1876. The original estate was parceled off and sold in the 1880s, and the house was first relocated after St. Luke's Episcopal Church bought it in 1889. The church used Hamilton Grange as a chapel and a rectory before selling it to the American Scenic and Historic Preservation Society (ASHPS) in 1924. The ASHPS opened the house as a museum in 1930 and handed over operations to the NPS in 1960. For the next four decades, the NPS attempted to move the house so the building could be restored. The Grange was closed for restoration and relocation between 2006 and 2011.
The Grange is a two-story frame Federal-style house with a ground level basement. It is a rectangular structure with porticos on the front and rear facades, as well as piazzas to its left and right. The basement dates from 2011 and contains the gift shop and exhibits, while the other two stories are part of the original house. On the first floor are Hamilton's study, a parlor, a dining room, and two additional spaces. The second-floor spaces were used as bedrooms. Most of Hamilton's original belongings were sold after his death to other American institutions, and many of the current objects in the house are replicas created in 2011. The Grange has been the subject of architectural commentary over the years, and it is the namesake of several structures in the neighborhood. (Full article...)
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750 Seventh Avenue is a 36-story office building in the Midtown Manhattan neighborhood of New York City. The building was designed by Kevin Roche of Roche-Dinkeloo and developed by David and Jean Solomon. 750 Seventh Avenue occupies a site on the north side of 49th Street between Broadway and Seventh Avenue. Since 1994, the building has mostly been occupied by the offices of financial services company Morgan Stanley. The building contains a black glass facade with large signs as well as etched-glass panels. On the upper stories, the exterior has setbacks in a spiral pattern, which terminate in an offset glass pinnacle. When the building opened, several critics compared its design to a smokestack and to a glass pyramid.
Solomon Equities had developed 750 Seventh Avenue as a speculative development in 1989 on the site of the Rivoli Theatre, a movie theater. When the building was completed, it had no tenants until the law firm Olwine, Connelly, Chase, O'Donnell & Wehyer leased space in April 1990. Olwine Connelly disbanded in 1991 without ever paying rent, and the Solomons placed the building into bankruptcy shortly afterward. The building was taken over by a consortium of banks, who leased some space to law firm Mendes & Mount and accounting firm Ernst & Young. Morgan Stanley bought the building in 1994 to supplement its space at nearby 1585 Broadway. Real-estate firm Hines and the General Motors Pension Fund bought 750 Seventh Avenue in 2000 and resold it in 2011 to Fosterlane Management. (Full article...)
The Church Avenue station was constructed by the Independent Subway System (IND). It opened on October 7, 1933, as the new terminal of the Culver Line, which was known as the Smith Street Line or the South Brooklyn Line at the time. In 1954, this station ceased to be the line's terminal with the completion of the Culver Ramp, which connected the South Brooklyn Line and the Brooklyn–Manhattan Transit Corporation (BMT)'s Culver Line and allowing service to run to Coney Island. Though the Church Avenue station contains four tracks and two island platforms, as with many express stations in the New York City Subway, the inner tracks see limited use, being used only by peak-direction <F> trains. (Full article...)
The hotel building contains a facade of brick, limestone, and architectural terracotta. It contains light courts facing north and west, as well as setbacks to comply with the 1916 Zoning Resolution. The limestone base is two to three stories high and contains storefronts, a main entrance on 48th Street, and an archway on Lexington Avenue. The upper stories are generally clad with plain brick and contain random projecting groups of bricks; there is a narrow tower at the top of the building. The basement contains a restaurant space that formerly housed event venues, including the Hawaiian Room. When the hotel opened, it had 814 guestrooms, though this has been reduced over the years.
The Lexington opened on October 15, 1929, and was originally operated by the Hotel Lexington Corporation, led by J. Leslie Kincaid. The hotel went into foreclosure in 1932, and Ralph Hitz's National Hotel Management Company operated the hotel until 1937, when Hotel Lexington Inc. took over. Lawrence Wien bought the hotel in 1954 and leased it to a syndicate led by Saul Hertzig. Indian conglomerate Tata Group acquired the Lexington in 1981 and operated it for several years. The hotel became the Radisson Hotel New York-East Side in 1999 after becoming a franchise of Radisson Hotels. DiamondRock Hospitality acquired the hotel in 2011, and the Lexington left the Radisson chain and became part of Marriott's Autograph Collection. Since 2021, a joint venture between MCR Hotels, Three Wall Capital, and Island Capital Group has owned the Lexington. (Full article...)
The building is 390 feet (120 m) high and has 25 above-ground stories and four basement levels. It is divided into three wings facing Broadway and Sixth Avenue and is largely clad in brick, limestone, and terracotta. The hotel building contains 13,000 short tons (12,000 long tons; 12,000 t) of structural steel as well as an extensive system of mechanical equipment. Originally, the hotel included a triple-height lobby clad in marble and stone, as well as various public rooms in the Renaissance and Louis XVI styles. In the hotel's basement was the Marine Grill, which could fit 250 people. On the upper stories, two floors were set aside for men and women. The top floor had men's baths and a ballroom. In the late 1970s, the hotel was converted into about 690 apartments.
The Greeley Square Hotel Company operated the hotel for two decades and refurbished it in 1928. The hotel was sold in 1936 and refurbished the following year; the New York Life Insurance Company then resold the McAlpin to Joseph Levy in 1945. The hotel was managed by the Knott hotel chain from 1938 to 1952, when the Tisch Organization took over operation. Levy sold the hotel to Sheraton Hotels in 1954 and it was renamed the Sheraton-McAlpin. Following a renovation in 1959, the hotel became the Sheraton-Atlantic Hotel in 1959. Sol Goldman and Alexander DiLorenzo bought the hotel in 1968, restoring the hotel's original name. Sheraton reacquired the hotel in 1976 and resold it to developer William Zeckendorf Jr., who converted the McAlpin to 700 rental apartments. The building reopened in 1980 as the McAlpin House. The McAlpin was renamed Herald Towers in 1999 and was converted to condominiums in the 2000s. (Full article...)
Stone made the film as a tribute to his father, Lou Stone, a stockbroker during the Great Depression. The character of Gekko is said to be a composite of several people, including Dennis Levine, Ivan Boesky, Carl Icahn, Asher Edelman, Michael Milken, and Stone himself. The character of Sir Lawrence Wildman, meanwhile, was modelled on British financier and corporate raider Sir James Goldsmith. Originally, the studio wanted Warren Beatty to play Gekko, but he was not interested; Stone, meanwhile, wanted Richard Gere, but Gere passed on the role.
The film was well received among major film critics. Douglas won the Academy Award for Best Actor, and the film has come to be seen as the archetypal portrayal of 1980s excess, with Douglas' character declaring that "greed, for lack of a better word, is good." It has also proven influential in inspiring people to work on Wall Street, with Sheen, Douglas, and Stone commenting over the years how people still approach them and say that they became stockbrokers because of their respective characters in the film. (Full article...)
The plot centers on an American nurse stationed on a South Pacific island during World War II, who falls in love with a middle-aged expatriate French plantation owner but struggles to accept his mixed-race children. A secondary romance, between a U.S. Marine lieutenant and a young Tonkinese woman, explores his fears of the social consequences should he marry his Asian sweetheart. The issue of racial prejudice is candidly explored throughout the musical, most controversially in the lieutenant's song, "You've Got to Be Carefully Taught". Supporting characters, including a comic petty officer and the Tonkinese girl's mother, help to tie the stories together. Because he lacked military knowledge, Hammerstein had difficulty writing that part of the script. The director of the original production, Logan, assisted him and received credit as co-writer of the book.
Opened on January 11, 1961, it is the newest bridge across the East River and was built to relieve traffic on the Bronx–Whitestone Bridge, 2 miles (3.2 km) to the west. The Throgs Neck Bridge is also the easternmost crossing of the East River. Due to this and its proximity to I-95, it is the closest route from Long Island to New Jersey via the George Washington Bridge, as well as points north.
The film began production in May 1926. Arthur Edeson served as cinematographer, shooting around Central Park in areas like casinos and nightclubs. Distributed by First National Pictures, the film premiered in New York on September 12, 1926. Many publications wrote positively of the film, praising its acting and Santell's direction. Today, it remains unknown if a print of Subway Sadie has survived. (Full article...)
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The terminal's head house in 2010
The TWA Flight Center, also known as the Trans World Flight Center, is an airport terminal and hotel complex at John F. Kennedy International Airport (JFK) in New York City. The original terminal building, or head house, operated as a terminal from 1962 to 2001 and was adaptively repurposed in 2017 as part of the TWA Hotel. The head house is partially encircled by a replacement terminal building completed in 2008, and flanked by two buildings added for the hotel. The replacement terminal is home to JetBlue's JFK operations. The head house and terminal are collectively known as Terminal 5 or T5.
The TWA Flight Center was designed for Trans World Airlines by Eero Saarinen and Associates starting in 1956. It was erected between 1959 and 1962, and it operated as an air terminal until 2001. It has a prominent wing-shaped thin shell roof supported by four Y-shaped piers. An open three-level space with tall windows originally offered views of departing and arriving jets. Two tube-shaped red-carpeted departure-arrival corridors extended outward from the terminal, connecting to the gates; these would be demolished for the 2008 addition. Roche-Dinkeloo, a successor firm to Saarinen's company, designed an expansion in 1970. Its design received much critical acclaim; the interior and the exterior of the head house became New York City designated landmarks in 1994, and it was added to the National Register of Historic Places in 2005.
The encircling Terminal 5 addition, designed by Gensler, was built between 2005 and 2008. It consists of the 26 active gates at Terminal 5, as well as numerous restaurants and stores. The Port Authority of New York and New Jersey (PANYNJ), which operates JFK Airport, had once intended the original structure as an entrance to the replacement terminal. That plan did not happen, and the TWA Hotel was instead constructed between 2015 and 2019; its development entailed renovating the disused head house and adding two adjacent buildings. (Full article...)
Producer Dino De Laurentiis purchased the rights from Maas. Agent Martin Bregman joined the film as co-producer. Bregman suggested Pacino for the main part, and John G. Avildsen was hired to direct the film. Pacino met with Serpico to prepare for the role early in the summer of 1973. After Avildsen was dismissed, Lumet was hired as his replacement. On a short notice, he selected the shooting locations and organized the scenes; the production was filmed in July and August.
432 Park Avenue has 84 numbered stories and a mezzanine above ground. The tower's exterior is a lattice of poured-in-place concrete made from white Portland cement. The tower is segmented into 12-story blocks separated by open double-story mechanical spaces that allow wind gusts to pass through the building. It features 125 condominiums and amenities such as a private restaurant for residents. The skyscraper has received mixed reviews from both professionals and the public, with commentary about both its slenderness and its symbolism as a residence for the ultra-wealthy.
432 Park Avenue is located on the site of the former Drake Hotel, which was sold to Macklowe in 2006. The project faced delays for five years because of lack of financing as well as difficulties in acquiring the properties on the site. Construction plans were approved for 432 Park Avenue in 2011 and excavations began the next year. Sales within 432 Park Avenue were launched in 2013; the building topped out during October 2014 and was officially completed in 2015. After the building's completion, residents complained of mechanical and structural problems, leading to a lawsuit in late 2021. (Full article...)
Situated on one of the world's largest natural harbors, the borough is bounded by the Hudson, East, and Harlem rivers and includes several small adjacent islands, including Roosevelt, U Thant, and Randalls and Wards Islands. It also includes the small neighborhood of Marble Hill now on the U.S. mainland. Manhattan Island is divided into three informally bounded components, each cutting across the borough's long axis: Lower Manhattan, Midtown, and Upper Manhattan. Manhattan is one of the most densely populated locations in the world, with a 2020 census population of 1,694,250 living in a land area of 22.66 square miles (58.69 km2), or 72,918 residents per square mile (28,154 residents/km2), and its residential property has the highest sale price per square foot in the United States. Chinatown incorporates the highest concentration of Chinese people in the Western Hemisphere. (Full article...)
The 486,000 sq ft (45,200 m2) complex was built to alleviate congestion in Penn Station, which saw 650,000 daily riders before the COVID-19 pandemic in 2020. The $1.6 billion renovation restored the Beaux-Arts Farley Building, a designated landmark, and added a central atrium with a glass roof. Moynihan Train Hall includes retail space, a 320-seat waiting area for ticket-holding passengers, and public restrooms. The hall is decorated with three artworks: a ceiling triptych named Go, a group of photographic panels, and a sculptural group.
The project had been in consideration since the early 1990s, with the first blueprints made public in 1993. However, several previous plans had failed because of a lack of funding and logistical difficulties. Amtrak withdrew as a tenant in 2004, but returned after the Farley Building was sold to the New York state government in 2006. A first phase, involving an expansion of a concourse under the Farley Building, started in 2010 and was completed in June 2017. Construction of the train hall proper commenced in 2017, and it opened January 1, 2021. (Full article...)
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In March 2011
10 West 56th Street (originally the Frederick C. and Birdsall Otis Edey Residence) is a commercial building in the Midtown Manhattan neighborhood of New York City. It is along 56th Street's southern sidewalk between Fifth Avenue and Sixth Avenue. The six-story building was designed by Warren and Wetmore in the French Renaissance Revival style. It was constructed in 1901 as a private residence, one of several on 56th Street's "Bankers' Row".
The main facade is largely clad with limestone, while the side facades are clad with brick and have limestone quoins. The ground story contains a glass storefront with rusticated molded-concrete piers. The second floor contains an arched Palladian window while the third and fourth stories have tripartite windows. A mansard roof rises above the fourth floor. According to the New York City Department of City Planning, the house has 16,446 square feet (1,527.9 m2) inside.
The house was commissioned for stockbroker Frederick C. Edey and his wife Birdsall Otis Edey in 1899. The couple had initially planned to design their house alongside their neighbor H. B. Hollins, at 12 West 56th Street, but a covenant prevented the Edey house from being built for two years. The Edeys occupied the house until 1919, when the Frangold Realty Company bought it and added a sixth story. Over the following years, it was used largely for commercial purposes, though Elizabeth Taylor also lived at the house in the mid-1950s. The New York City Landmarks Preservation Commission designated the house as an official landmark in 2007. The house has been owned by billionaire Carlos Slim since 2011. (Full article...)
With a population of 2,405,464 as of the 2020 census, Queens is the second-most populous county in New York state, behind Kings County (Brooklyn), and is therefore also the second-most populous of the five New York City boroughs. If Queens were its own city, it would be the fourth most-populous in the U.S. after New York City itself, Los Angeles, and Chicago. Queens is the fourth-most densely populated borough in New York City and the fourth-most densely populated U.S. county. It is highly diverse as about 47% of its residents are foreign-born. (Full article...)
Named after the Dutch town of Breukelen in the Netherlands, Brooklyn shares a border with the borough of Queens. It has several bridge and tunnel connections to the borough of Manhattan, across the East River, and is connected to Staten Island by way of the Verrazzano-Narrows Bridge. With a land area of 69.38 square miles (179.7 km2) and a water area of 27.48 square miles (71.2 km2), Kings County is the state of New York's fourth-smallest county by land area and third smallest by total area. (Full article...)
The Bronx is divided by the Bronx River into a hillier section in the west, and a flatter eastern section. East and west street names are divided by Jerome Avenue. The West Bronx was annexed to New York City in 1874, and the areas east of the Bronx River in 1895. Bronx County was separated from New York County (modern-day Manhattan) in 1914. About a quarter of the Bronx's area is open space, including Woodlawn Cemetery, Van Cortlandt Park, Pelham Bay Park, the New York Botanical Garden, and the Bronx Zoo in the borough's north and center. The Thain Family Forest at the New York Botanical Garden is thousands of years old and is New York City's largest remaining tract of the original forest that once covered the city. These open spaces are primarily on land reserved in the late 19th century as urban development progressed north and east from Manhattan. (Full article...)
Staten Island (/ˈstætən/STAT-ən) is the southernmost borough of New York City, coextensive with Richmond County and situated at the southern most point of New York. The borough is separated from the adjacent state of New Jersey by the Arthur Kill and the Kill Van Kull and from the rest of New York by New York Bay. With a population of 495,747 in the 2020 Census, Staten Island is the least populated New York City borough but the third largest in land area at 58.5 sq mi (152 km2); it is also the least densely populated and most suburban borough in the city.
A home to the Lenape indigenous people, the island was settled by Dutch colonists in the 17th century. It was one of the 12 original counties of New York state. Staten Island was consolidated with New York City in 1898. It was formerly known as the Borough of Richmond until 1975, when its name was changed to Borough of Staten Island. Staten Island has sometimes been called "the forgotten borough" by inhabitants who feel neglected by the city government. It has also been referred to as the "borough of parks" due to its 12,300 acres of protected parkland and over 170 parks. (Full article...)
Image 6Anderson Avenue garbage strike. A common scene throughout New York City in 1968 during a sanitation workers strike (from History of New York City (1946–1977))
Image 29The Sunday magazine of the New York World appealed to immigrants with this April 29, 1906 cover page celebrating their arrival at Ellis Island. (from History of New York City (1898–1945))
... that Lucy Feagin founded the Feagin School of Dramatic Art in New York City, where talent scouts for radio, screen, and stage were always present to watch her senior students' plays?
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