It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.
Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greekdramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.
Produced by Silver Pictures, Virtual Studios and Anarchos Productions, Inc., V for Vendetta was originally scheduled for release by Warner Bros. Pictures on 4 November 2005 (a day before the 400th Guy Fawkes Night), but was delayed; it instead opened in the United States on 17 March 2006, to mostly positive reviews from critics and became a box office success, grossing $134 million against a production budget between $50-54 million. Alan Moore, dissatisfied with the film adaptations of his other works, From Hell (2001) and The League of Extraordinary Gentlemen (2003), declined to watch the film and asked to not be credited or paid royalties. (Full article...)
The "hard" science-fiction writers are the ones who try to write specific stories about all that technology may do for us. More and more, these writers felt an opaque wall across the future. Once, they could put such fantasies millions of years in the future. Now they saw that their most diligent extrapolations resulted in the unknowable...soon.
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—Vernor Vinge (b.1944), "The Coming Technological Singularity" (1993).
Illustration to Tennyson's "Sleeping Beauty" by W. E. F. Britten. Like a lot of Tennyson poems based on a literary source, Tennyson only focuses on a tiny part of the whole. Hence, the poem leaves out all the setup and the conclusion, instead describing what her sleep was like
Illustration to Tennyson's "Sleeping Beauty" by W. E. F. Britten. Like a lot of Tennyson poems based on a literary source, Tennyson only focuses on a tiny part of the whole. Hence, the poem leaves out all the setup and the conclusion, instead describing what her sleep was like:
Peter and Emma Newman accepting the 2017 Hugo Award for Best Fancast
The Hugo Award for Best Fancast is one of the Hugo Awards, and is awarded to the best non-professional audio or video periodical devoted to science fiction, fantasy, or related subjects. The Hugo Awards have been described as "a fine showcase for speculative fiction" and "the best known literary award for science fiction writing".
To be eligible for the award, a fancast must have released four or more episodes by the end of the previous calendar year, at least one of which appeared in that year, and it must not qualify for the dramatic presentation category. It must also not provide or be published by an entity that provides a quarter or more of the income of any one person working on the fancast. The name of the award is a portmanteau of fan and podcast. The Hugo Award for Best Fancast was first proposed as a category after the 2011 awards, and then appeared as a temporary category at the 2012 awards. Temporary awards are not required to be repeated in following years. The 2013 awards, however, did repeat the category, and afterwards it was ratified as a permanent category. (Full article...)
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